EDITED SPECIAL ISSUES

 

Sinwell, Sarah E. S. Guest Editor. Special Issue. “Reinvestigating Art House Exhibition.” The Projector: A Journal on Film, Media, and Culture 18:2 (Summer 2018).

 

https://www.theprojectorjournal.com/home-summer2018

 

Sinwell, Sarah E. S. Guest Editor. Special Issue. “Reinvestigating Art House Exhibition in an Era of Convergence.” The Projector: A Journal on Film, Media, and Culture 18:1 (Winter 2018).

 

https://9b480c0a-8c77-46e8-ac0e-ae0e757dc602.usrfiles.com/ugd/d3b63e_4cfe1e0b95744a5ca55d2d9a0daeaeaf.pdf

PEER-REVIEWED JOURNAL ARTICLES

 

 

Sinwell, Sarah E. S. “Mapping the (Adolescent) Male Body: Queerness, Pedophilia, and Perversion in L.I.E. and Mysterious Skin.” Thymos: Journal of Boyhood Studies 7.2 (Fall 2013): 141-155.

 

https://www.berghahnjournals.com/view/journals/boyhood-studies/7/2/bhs070204.xml

Sinwell, Sarah E. S. “Excavating the Brick and Mortar: Reinvestigating the Art House in the Digital Age.” The Projector: A Journal on Film, Media, and Culture 18:1 (Winter 2018): 70-88.

 

https://9b480c0a-8c77-46e8-ac0e-ae0e757dc602.usrfiles.com/ugd/d3b63e_4cfe1e0b95744a5ca55d2d9a0daeaeaf.pdf

Image via Sarah Sinwell.

Sinwell, Sarah E. S. “Sex, Bugs, and Isabella Rossellini: The Making and Marketing of Green Porno.” Women’s Studies Quarterly 38.3-4 (Fall/Winter 2010): 118-137.

https://www.jstor.org/stable/20799369?seq=1

BOOK CHAPTERS IN
PEER-REVIEWED ANTHOLOGIES

Sinwell, Sarah E. S. “From Star-Producer to Executive: Tom Cruise and/at United Artists (2006-2012).” In United Artists. Edited by Tino Balio, Peter Kramer, Gary Needham, and Yannis Tzioumakis. New York and London: Routledge, 2020. 270-286.

 

https://www.routledge.com/United-Artists-1st-Edition/Kramer-Needham-Tzioumakis-Balio/p/book/9780367179007

 

Image: United Artists cover.

Sinwell, Sarah E. S. “#MakeReyAsexual and #KeepJugheadAsexual: Asexuality, Queerness, and Representation on Twitter.” In Feminist and Queer Theory: An Intersectional and Transnational Reader. Edited by L. Ayu Saraswati and Barbara Shaw. Oxford: Oxford University Press, 2020. 104-109.

 

https://global.oup.com/ushe/product/feminist-and-queer-theory-9780190841799?cc=us&lang=en&

Image: Feminist and Queer Theory: An Intersectional and Transnational Reader cover.

Sinwell, Sarah E. S. “To Queer Things Up: Sexing the Self in the Queer Documentary Web Series.” In I Confess! Constructing the Sexual Self in the Internet Age. Edited by Thomas Waugh and Brandon Arroyo. Montreal: McGill Queen’s University Press, 2019. 423-435.

 

https://www.mqup.ca/i-confess--products-9780773559394.php

 

Image: I Confess! Constructing the Sexual Self in the Internet Age cover.

Sinwell, Sarah E. S. “Women Make Movies: Chicken and Egg Pictures, Gamechanger Films, and the Future of Female Independent Filmmaking.” In Indie Reframed: Women Filmmakers and Contemporary American Cinema. Edited by Linda Badley, Claire Perkins, and Michele Schreiber. Edinburgh: Edinburgh University Press, 2016. 23-35.

https://edinburghuniversitypress.com/book-indie-reframed.html

Image: Indie Reframed: Women Filmmakers and Contemporary American Cinema cover.

Sinwell, Sarah E. S. “Go Digital or Go Dark: Crowdfunding, Independent Financing and Art House Exhibition on Kickstarter.” In A Companion to American Indie Film. Edited by Geoff King. Malden and Oxford: Wiley-Blackwell Publishing, 2017. 452-468.

 

https://www.wiley.com/en-us/A+Companion+to+American+Indie+Film-p-9781118758328

 

Image: A Companion to American Indie Film cover.

Sinwell, Sarah E. S. “Written on the Child: Race, Class, Gender, and Sexuality in Gummo.” In Lost and Othered Children in Contemporary Cinema. Lanham, MD: Lexington Books, 2012. 107-122.

https://rowman.com/ISBN/9780739190746/Lost-and-Othered-Children-in-Contemporary-Cinema

 

Image: Lost and Othered Children in Contemporary Cinema cover.

Sinwell, Sarah E. S. “Aliens and Asexuality: Media Representation, Queerness and Asexual Visibility.” In Asexualities:  Feminist and Queer Perspectives. New York and London: Routledge, 2014. 162-173.

 

https://www.routledge.com/Asexualities-Feminist-and-Queer-Perspectives-1st-Edition/Cerankowski-Milks/p/book/9780415714426

Image: Asexualities:  Feminist and Queer Perspectives cover.

Sinwell, Sarah E. S. “Is Malkovich Malkovich? Sexual Identity on a String.” In Film and Sexual Politics. Edited by Kylo Patrick Hart. Cambridge: Cambridge Scholarly Press, 2006. 195-207.

 

https://www.cambridgescholars.com/film-and-sexual-politics-19

 

Image: Film and Sexual Politics cover.

PUBLISHED INTERVIEWS

Sinwell, Sarah E. S. Interview with Cheryl Dunye. Independent Female Filmmakers: A Chronicle Through Interviews, Profiles and Manifestos. Edited by Michele Meek. New York and London: Routledge, 2019. 102-116.

 

https://www.routledge.com/Independent-Female-Filmmakers-A-Chronicle-through-Interviews-Profiles/Meek/p/book/9780815373049

 

 

Image Independent Female Filmmakers: A Chronicle Through Interviews, Profiles and Manifestos cover.

ADDITIONAL PUBLICATIONS

 

Sinwell, Sarah E. S. "Festival of Disruption: A Report from the 2020 Sundance Film Festival." Flow: A Critical Forum on Media and Culture. February 11, 2020.

 

https://www.flowjournal.org/2020/02/festival-of-disruption/

Image via Sarah Sinwell.

Sinwell, Sarah E. S. "The Netflix Experience: Immediate and Unlimited Television Viewing as User Fantasy." In Media Res. December 6, 2013.

 

http://mediacommons.org/imr/2013/11/27/netflix-experience-immediate-and-unlimited-television-viewing-user-fantasy

Sinwell, Sarah E. S. “The Art of Seduction: Film Spectatorship in the Age of the Cell Phone.” In Media Res. December 13, 2010.

 

http://mediacommons.org/imr/2010/12/08/art-seduction-film-spectatorship-age-cell-phone